Monday, November 12, 2007

John Fowles is not dead.

I am only up to part 4 of Mantissa, but I know I want to talk about the death of the author, which comes up so often in this book that I am sure almost all my classmates will talk about the same thing. So I am sorry if this is repetitive.

First, can I just say John Fowles is hilarious. He cracks me up. Second, what the hell is he talking about? No just kidding, I think I understand what he is saying about the death of the author and "deconstructivists." Most of the second half of part 2 tackles Foucault's author function. Once Miles starts putting his clothes on (which is a great scene, not because he is putting clothes back on - I have nothing against theory in the nude - but because he sounds like such a pompous ass talking about the author function), he really becomes in charge of the situation again (although not for long) he starts talking to Erato about the function of the author, declaring "At the creative level there is in any case no connection whatever between author and text. They are two entirely separate things. Nothing, but nothing is to be inferred or deduced from on to the other and in either direction." Being the awesome theorist that I am that sounds about right. But I believe Fowles is making fun of this idea in the writing of this book, along with many other theories... I feel like I just lost my train of thought and no longer have anything intelligent to say about the death of an author... I suppose, as I mentioned in class, that one of my favorite lines comes just after Miles' three points on serious fiction, which is when Erato asks him why authors still put their names on the title pages if they are "dead" and he replies something along the lines of, because they are behind the times, vain, and still believe they write their own books. I found this to be quite funny since John Fowles name is smeared across the cover (he must have had some say in what the cover would look like even if he himself did not design it) much larger than the actual title of the book. Is the author dead? What is the function of the author? I believe John Fowles believes he is not dead (Okay so I know he is dead, actually, but I am not trying to be humorous in the slightest. And we all know I am talking about dead in the since of literary criticism.) In this particular section of the book he quite clearly understands the author function as Foucault sees it, but he is poking fun at it. He makes it sound so ridiculous that he makes one question the function of an author, "surely they must be some connection between the author and the text?" He plays with Miles' character, he gives him control and takes it away. Does Erato have power? Or does Miles give her power? How much say does the author have? Who is getting tired of my rhetorical questions? I know I am. While I do constantly get confused by the happenings in Mantissa, I think Fowles is doing a great job of playing around with theories, or maybe he is just doing a great job playing around. That was another question, but I refuse end another sentence with a question mark.

3 comments:

Rachel said...

I too enjoy Fowles sense of humor, and the way he humorously questions theory and the author function. Are you going to answer any of your rhetorical questions? Do you think that Erato has the power or does Miles?
I'm just interested to see what you think about it :)

Nick Adams said...

I have no idea, I think Erato has the power, but that is because Miles as the author gave her the power. So he has the power? I really don't know. I hope we talk about it more in class.

Ryan Murphy said...

I'm glad you brought up what I think was the most memorable part of the book, the rant of Miles that leads to his display of the instability of the author function. I think that Mantissa does such a good job of literally showing the consequences of saying that the author and text have no direct relation to one another, and that even though there is good reason to follow that theory and keep in mind what it implies, actually putting it into practice literally (no pun intended) creates a humorously pertinent scenario. I think that the removal of power from the author has happened all ready in our world and we continue to live and act as if it hadn't; that is why seeing the fact as they are actually play out in the novel seems to jarring and interesting to us.

If I were to make a play or film out of this book, I would want all he characters to be dressed as clowns and to say their dialogue very forced and intentionally stage-y.